Born in Chicago, Il. 1973
Lives and works in Venice, CA
1995 B.F.A Pitzer College, California
Kim Schoenstadt, Chimento Contemporary, Los Angeles, CA
Sightline Series: Inglewood/Malibu/Los Angeles, Lapis Press, Los Angeles,CA
The Problem of Perspective #1, Sam Francis Gallery, Santa Monica, CA
Kim Schoenstadt, The Tasting Kitchen, Los Angeles, CA
Now Be Here #4, DMV, National Museum of Women in the Arts, Washington D.C
Now Be Here: Now Let’s Talk: the Artist Resource Fair and related programing- 18 venues across D.C., VA, MD
Kim Schoenstadt, Chimento Contemporary, Los Angeles, CA
Kim Schoenstadt, University of Maryland Museum/ Art Gallery & The Clarice Performing Arts Center, College Park, MD
Now Be Here #3, Miami, Perez Art Museum, Miami, FL
Now Be Here #2, NY, Brooklyn Museum, Brooklyn, NY
Now Be Here #1, LA , Hauser, Wirth & Schimmel, Los Angeles, CA
Book Truck #1, Chimento Contemporary, Los Angeles, CA 2014
Kim Schoenstadt: Block Plan Series (Provo, UT), BYU Museum of Art, Provo, UT
Kim Schoenstadt: The Prop Series: Munich/Brazil, Galerie Sabine Knust, Munich, Germany
Kim Schoenstadt: Sight Lines, M29 Richter&Bruckner, Cologne, Germany
Kim Schoenstadt, Utah Museum of Contemporary Art, Salt Lake, Ut
Painted Over/Under, Los Angeles Contemporary Exhibitions, LA, CA
Notes, Odd Lots, Restoration Selections, etc., Nichols Gallery,
Broad Art Center, Pitzer College, Claremont, CA
Matrix: Kim Schoenstadt, Wadsworth Atheneum Museum of Art, Hartford, CT
Painted Over/Under, Los Angeles Contemporary Exhibitions, LA, CA
Tell Me Something Good: A collaboration between Kim Schoenstadt/ Rita McBride, Santa Monica Museum, Santa Monica, CA
Tell Me Something Good: A collaboration between Rita McBride/ Kim Schoenstadt, Alexander and Bonin, NY
Crisscross: Lonner/Schoenstadt, LAX Airport Terminal 3, Los Angeles, CA
Kim Schoenstadt Fax Drawings 1-4, Secondroom Gallery, Brussels, Belgium
Byloos/ Schoenstadt, Toomey/Tourell Gallery, San Francisco, CA
Benicia Gantner & Kim Schoenstadt, Angels Gate Cultural Center, San Pedro, CA
Can Control: Einhoven, VanAbbe Museum, Eindhoven, The Netherlands
Composition for a Large Room in Three Movements, Harris Art Gallery, The University of La Verne, La Verne, CA
Deep Structures, 4-F Gallery, Chinatown, Los Angeles,CA
Down the Road, to the Right; (New Wall Drawings by Kim Schoenstadt), 18th St. Arts Center, Santa Monica, CA
Jon Furmanski and Kim Schoenstadt: Another Cowboy Song, A two part colaborative project-Part B, 4-F Gallery, Chinatown,CA
Jon Furmanski and Kim Schoenstadt: Don’t Fence Me In, A two part colaborative project –Part A, Biola University, La Mirada, CA
Kim Schoenstadt: The Meeting of Exposition and Advance, Lemon Sky Projects and Editions, Los Angeles, CA
Kim Schoenstadt, Susan Inglet Gallery, New York, NY. 2001
Future Landscape(s), Laurence Bernard Gallery, Geneva, Switzerland
Metro: Halfway There, Metro Community project, Leimert Park, CA
Artist Drawings, Bad Gasten Gallery, Bad Gasten, Germany
All Together Now, M29/Richter & Bruckner Gallery, Cologne, Germany
Rogue Wave, LA Louver Gallery, Venice, CA
Terra Incognita: Unknown Landscapes, A.D. Gallery UNCP, Pembroke, NC
Freeway Studies #1, This side of the 405, Otis, Ben Maltz Gallery, LA, CA
Art Cologne, M29/Richter & Bruckner Gallery, Cologne, Germany
Mash-up: collage from 1930 to the present, L&M Gallery, Venice,CA
Somewhere Else, Urban Institute for Contemporary Arts, Grand Rapids, MI
Arco, Sabine Knust Galery, Madrid, Spain
When Attitudes Became Form, Become Attitudes, Wattis Institute for Contemporary Art, San Francisco, CA
Wild Things, Angels Gate, San Pedro, CA
Extrapolate: Suggestions of Tony Smith, Pierto Gallery, South Orange, NJ
All to Wall, Cristina Guerra Gallery, Lisbon, Portugal
Art Platform LA, 6018 Chicago Sponsor for site specific project, Los Angeles, CA
Turtle, Galerie Ivana de Gavardie, Paris, France
Between The Lines, M29 Richter, Bruckner, Cologne, Germany
Mapping the art II, Art Affairs Gallery, Amsterdam, NL
Empty Rooms With Casual Sounds, web based exhibition organized by Julian Mereuta http:// lightblack.org/ERWCS/
Turtle, Galerie Arnaud Lefebvre, Paris, France
Collecting: Mail Art Project, Van Abbemuseum, Eindhoven, Netherlands
PULSE: LA, 2 x 2 projects, Amsterdam, L.A. Live, Los Angeles, CA
Venice, From Then to Now, Here is Elsewhere Gallery, Los Angeles, CA
Draft, Works on Paper Not on Canvas, 643 Project Space, Ventura, CA
Light is Heavy, Michael’s, Santa Monica, CA
Alumni Exhibition, Pitzer College, Claremont, CA
Construct and Dissolve, Galerie Sabine Knust, Munich, Germany
In-between Air, Land and Sea: Tony de los Reyes, Erin Marie Dunn, Justin Moore, Kim Schoenstadt, Long Beach City College, Long Beach, CA
LAAGAFBLA2008, Phantom Gallery, Los Angeles, CA.
On Produceability, IMC 5533, Istanbul, Turkey. April 26- May 17. Traveling to:Kunstvlaai, Amsterdam, NL. May 10-18;
Apartman Projesi, Istanbul, Turkey, July 1-28;Lizabeth Oliveral Gallery, Los Angeles, Ca. July 5- Aug. 16; #
New Talents-Rheinauhfen, Koln, Germany. August
Big Bang and other origins, David Sallow Gallery, Chinatown LA, CA
Mapping the Self, Museum of Contemporary Art Chicago, Chicago, Il
Next New, San Jose Institute of Contemporary Art, San Jose, CA.
Uneasy Angles/ Imagine LA, Sprueth/Magers Gallery, Munich, Germany
High and Dry, Smoke and Fog, Phantom Gallery, Los Angeles, CA
Drawn Out, Sam Francis Gallery, Santa Monica, CA
Family Garden, Elizabeth Page Smith Atelier, Venice, CA
Noplace, Jail gallery , Los Angeles, CA
Without Passport, Brewery projects, Los Angeles, CA
Turtle 2, Nüans, Duesseldorf, Germany
Street Scenes: Projects for D.C.,Mobile billboard truck exhibition, Washington, DC
Turtle, an anarchic salon, Chelsea Space, Chelsea College of Art & Design, London,England. Traveling
Total Art Performance, Getty Center, Los Angeles, CA
Draw a Line and Follow It, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Squatting at New Langton, New Langton Arts, San Francisco, CA
LA Art Girls, Anna Helwing Gallery, Culver City, CA
The Shape of Space, Areana 1, Santa Monica, CA
Surface Charge, VCUarts Anderson Gallery, Richmond, VA. Catalogue
Prague Biennale, National Gallery, Veletrizni Palac, Kinski Palac, Prague, Czeck Republic, Catalogue
New Prints 2005/ Summer: Etchings, International Print Center, New York, NY
Wives and Husbands, Domestic Setting, Los Angeles, CA
Tar Pit Tales, 4-F Gallery, Chinatown, Los Angeles, CA
Lodz Biannale, International Artists Museum, Lodz, Poland
Artworks for Hard Money, Gavin Brown’s at Passerby, New York, NY
Freewal, California State Polytechnic University, Pomona, CA
Hieronymus Slept Here,Irvine Fine Arts Center, Irvine, CA
100 Artists See God, Curated by John Baldessari and Meg Cranston for Independent Curators
International, traveling exhibition.Catalog
Systems of Interiors and Exteriors for Better Living, Pitzer College, CA. Cataloge
Selected Works on Paper, 4-F Gallery, Chinatown, Los Angeles, CA
Das Spider Man, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Lattitude, Miller/Durazo, Los Angeles, CA
Necessary Fictions, De Chiara Gallery, New York, NY
Open House, First Space, Los Angeles, CA
Twice re: Moved Angels Gate Cultural Center, San Pedro, CA
Almino, Elisa Wouk. “Mickalene Thomas, Shinique Smith, and Others Are Making Art for LA’s New Metro Line.” Hyperallergic, (January, 24, 2018)
Broverman, Neal. “An Early Look at All the Artwork Coming to the Metro Crenshaw Line.” Los Angeles Magazine.(January, 2, 2018)
Santucci, Jeanine. “How the National Museum of Women in the Arts Assembled Nearly 500 Women Artists For a Historic Photo.”City Paper Washington.
(October, 27, 2017)
McGlone, Peggy. “Stand up and be counted: Hundreds of contemporary female artists participate in historic photo.” The Washington Post. (October, 26, 2017)
Kracht, Gigi. “Kim Schoenstadt”, Views, Baur au Lac Magazine, Zurich, Switzerland. 2017
Rabies, Amanda. “South Florida Female Artists Captured in Traveling “Now Be Here” Portrait Project.”WLRN. (December 12, 2016)
Katz, Lena. “How Well Do Miami Museums Represent Local Female Artists?” Miami New Times, Miami, FL.(December 28, 2016)
Clifford, Christen. “In Brooklyn, 600 Women Artists Unite for a Photograph.” Hyperallergic. (October, 24,2016)
Finkel, Jori. “Calling All Women Artists: The Brooklyn Museum Wants to Take Your Picture” The Art Newspaper. (October 10, 2016)
Nys Dambrot, Shana. “The View from Now Be Here: Kim Schoenstadt’s LA Idea Heads to NYC”, Whitehot Magazine. (October 2016)
Embuscado, Rain. “600 Female Artists Took the Brooklyn Museum by Storm This Weekend”, Artnet News. (October, 24, 2016)
Finkel, Jori. “‘Now Be Here’ Takes a Portrait and Makes a Gender Statement.” The New York Times, New York, NY. (August 29, 2016). Print and Web editions.
Miranda, Carolina A. “A portrait project draws L.A. female artists to Hauser Wirth & Schimmel for a joyous flash mob.”
The Los Angeles Times, Los Angeles, CA. (August 29, 2016)
Barrie, Lita. “The Subversive Power Of Women’s Laughter: Over 700 Women Artists Gather For A Historic Photo Event At Hauser Wirth And Schimmel.”
Huffington Post (September 9, 2016)
Abeles, Kim. Cortez, Beatriz. Argote, Carmen, Bernard, Lili. Foley-Meyer, Kathie. Kheradyar, Ali. Shin,
Kyungmi. “More Than 700 Female Artists Posed for a Portrait, Seven of Them Reflect on the Experience.” Artbound. Los Angeles, CA. (September 3, 2016)
Dafoe, Taylor. “Gagosisan to Host Hillary Clinton Fundraiser, LA Portrait Project Brings Together 733
Female Artists, and More.” Blouinartinfo. (August 30, 2016)
Frank, Priscilla. “ 733 Women Artists Posted For A Photo In Stunning Gesture of Solidarity.” The Huffington Post. (August 31, 2016)
Lesser, Casey. “Why Kim Schoenstadt’s Now Be Here Is More Than a Celebration of Female Artists.” Artsy. (August 30, 2016)
Cheng, Scarlet. “More than 700 women gather for artists’ photo in LA.” The Art Newspaper. (August 29, 2016)
Dodge, Dani. “Now Be Here: Women artists make a stand, and a photo.” Art and Cake. (August 29, 2016)
Boucher, Brian. “733 Female Artists Gather for Kim Schoenstadt’s Giant Photo Op.” Artnet News. (August 29, 2016)
Vankin, Deborah. “700 women artists to gather at Hauser Wirth & Schimmel for group photo.” The Los Angeles Times, Los Angeles, CA.
Shaken, Elina. “700 Women pose for a massive group photo in downtown LA.” 89.3 KPCC, (August 31, 2016)
Frank, Peter. “Kim Schoenstadt” Artillery Magazine, Los Angeles, Ca. (February 23, 2016).
Dambrot, Shana Nys. “Kim Schoenstadt’s Architecture of the Mind.” The Huffington Post. (Mar 7, 2016).
Jansen, Charlotte. “Off the wall: Kim Schoenstadt’s new work mashes up 2D and 3D representations”, Wallpaper* magazine online. (Jan. 11, 2016)
Mann, Court. “This new MOA exhibit will bend your mind”, Daily Harald, Salt Lake City, Ut. (Nov. 16, 2014).
Rossiter, Shawn. “Kim Schoenstadt’s Block Plan Series: Provo”, 15 Bytes Art Magazine, Salt Lake City, Ut. (Nov. 5, 2014).
Staker, Brian. “Provo Redrawn”, City Weekly, Salt Lake City, UT. (Nov. 19, 2014).
Burns, Mark. “Artist Kim Schoenstadt’s Innovative Drawings of Local Spaces.” Thinking Aloud. Prod.
Marcus Smith. Classical 89, Provo, Ut. (Sept. 10, 2014) Radio. Web.
Robbins, Sarah. “An Interview with Kim Schoenstadt”, Dirty Laundry Magazine, Washington DC. (Dec. 9, 2013). Web.
Doucette, Drew. “11 Minutes with Kim Schoenstadt”, Hirshhorn video, 10:38, posted by Hirshhorn Sept. 20, 2013.
Pagel, David. “Rogue Wave” at LA Louver a micro-biennial at its best”, Los Angeles Times, Los Angeles, Ca. (Aug. 2, 2013).
Aushenker, Michael. “Venice Artist Schoenstadt Goes ‘Rogue”, Argonaut, Los Angeles, Ca. (July 17, 2013).
Sawdon, Phil, and Marshall, Russell, eds. Hyperdrawing, New York, I.B.TAURIS, 2012.
Finkel, Jori. “A Special Light”, Los Angeles Times, Los Angeles, Ca. (February 26, 2012) Cover Story in Calendar section with color images, print and web editions.
Rossiter, Shawn. “An Interview with Kim Schoenstadt”, 15 Bytes Art Magazine, Salt Lake City, Ut. (Dec. 8, 2011).
Finkel, Jori. “Art’s big reveal”, Los Angeles Times, Los Angeles, CA. (March 26, 2011). Cover storty in Calendar section with color images, print and web editions.
Anderton, Frances. “‘Painted Over/Under’ Creates Space for Conversation About Place and Street Art at LACE” NPR Los Angeles, CA. (March 17, 2011).
Rolnik, Daniel, “Art Platform Los Angeles- Installations”, Argot & Ochre Blog (Oct. 5, 2011).
Van Eck, Tricia, “Money/Market”, Art: 21 Blog, (October 20, 2011).
Napier-Pearce, Jennifer. NPR Utah, (Oct. 27, 2011). [Interview with Jenifer Napier-Pierce, Host of CityViews.] Originally Aired on: Warchol, Glen.
“Kim Schoenstadt Crashes the Art Party”, The Salt Lake Tribune, Salt Lake, UT. (Nov.13, 2011). Cover story with color images, print and web editions.
Staker, Brian. “Kim Schoenstadt Combining Inspiration With Location”, City Weekly, Salt Lake City, UT. (Nov. 14, 2011). In print and web editions.
Reijnders, Leo, “Wolkenbreiers”, Radio Centraal, Antwerp, Belgium, (Nov.10, 2011). [Aired Kim Schoenstadt: Sound Drawings on Wolkenbreiers]
2010 Knight, Christopher, “Art review:”Kim Schoenstadt: Matrix 160’ at the Wadsworth Atheneum Art Museum”, Los Angeles Times, Los Angeles, CA. (Nov. 30, 2010).
Color images, print and web editions.
Catlin, Roger, “A Melding of Architectural Lines in Matrix Gallery at Atheneum”, Hartford Courant, Hartford, CT. (Oct. 7, 2010). Color image.
Taft, Catherine, “Catherine Taft’s Top 10 Shows In Los Angeles”, Saatchi Online Magazine. (Dec. 1, 2010).
“Artist Project”, X-TRA art quarterly, Los Angeles, CA. (Aug., 2009).
O’Neill-Butler, Lauren, “500 Words”, ArtForum online, New York, NY ( Sept.2009).
Ravich, Nick, “Art 21 Blog: On Location: Filming Art21 Educators in Southern California”, Art 21 Blog, (Dec. 11, 2009).
Mojica, Jason, “Mapping the Self” Time Out, Chicago, Il, (Feb.14, 2008).
Buuck, David, “’NextNew 2007’ and Mitra Fabian at the San Jose ICA”, Artweek Magazine, Palo Alto, CA. (Nov.2007).
Frank, Peter, “Chaos Theorizing”, LA Weekley, Los Angeles, CA. (Jan.9, 2008) “Artist Project”, Prop Magazine, (Oct. 2007), Duesseldorf, Germany.
Berardini, Andrew, “ten by ten”, www.uber.com, (March 11, 2007).
Durbin, Jonathan, “The 2006 Paper Project LA- Venice” Paper Magazine, New York, NY. (Feb.– March 2007. pp. 66-67).
Webb, Michael, Nogai, Juergen. “Venice Ca. Art + Architecture in a Maverick community” Abrams, New York, NY.
Lambrecht, Luk, “Complexe tentoonstellingen met een visie in het Van Abbemuseum in Eindhoven”, Knack, Brussels, Belgium,(May 23, 2007).
Richardson, Margaret, “ Surface Charge”, Art Papers, London, England, (March/April.)
Kogler, Peter, “Artist’s Favourites”, Spike Art Quarterly, Vienna, Austria, (Oct. 2006): #9.
Hiro, Rika, “Around the Globe- San Francisco”, BT, Tokyo, Japan, Vol 58. no.887.
Dawson, Jessica, “A New Movement in Public Art”, The Washington Post, (Sept.16, 2006): 06, p C1, C5.
“Strange Angels” Glenn Zucman. www.KBEACH.org, Long Beach, CA. (Nov. 15, 2006).
“Honor Roll”, Pitzer Participant, Claremont, CA. (Summer 2006).
Pagel, David, “Around the Galleries”, Los Angeles Times, Los Angeles, CA. (Nov. 18, 2005): p.E24-25. Lyon, Christopher, “Constructing a Biennial”,
Art in America, New York, NY. (April, 2005): 54-59.
Humes, Pete, “The Art’s On The Wall”, Richmond Times-Dispach, Richmond, VA. Section D cover story p.D1 & D4.
Gavin, Joseph, “Surface’ Changes Everything”, The Commonwealth Times, Richmond, VA., (Sept. 26, 2005).
Schedlmayer, Nina. “Lodz Biennale”, Camera Austria, Graz, Austria. #88/2004.p.84-45.
Falconer, Morgan, “As God As It Gets”, Timesonline.co.uk, London, England. (Nov. 13, 2004).
“Simply Divine”, The Guardian, London, England. (Nov.13, 2004). Tyler, Jeff, “Marketplace Morning Report: Artists Pension Trust”, Marketplace,
National Public Radio, American Public Media, (Oct., 26, 2004).
Pine, Dan. “Imaging God — 100 artists explore the Divine in new exhibit,” J. The Jewish News
Bulletin of Northern California, San Francisco, CA. (Feb. 27-March 4, 2004).
“Artist Project” Small Doggies, Zine, Los Angeles, CA. Vol.II, Winter, 2003. Cover art by Marcel Dzama, Centerfold art by Kim Schoenstadt.
“News-Highlight”, Contemporary Magazine, London, England, No.57, 2003.
Frank, Peter. “Pick of the week”, L.A. Weekly, Los Angeles, CA. (April 12-18, 2002).
Pence, Elizabeth. “Das Spyder-Man at Los Angeles Contemporary Exhibitions”, Artweek, Palo Alto, CA. (Oct.2002)
Lattitude, Miller/Durazo, Los Angeles, CA.
Necessary Fictions, De Chiara Gallery, New York, NY.
Open House, First Space, Los Angeles, CA.
Twice re: Moved Angels Gate Cultural Center, San Pedro, CA.
Grants and Awards
Smithsonian Artist Research Fellowship
ARC Grant from the Center for Cultural innovation
Catherine Doctorow Prize for Contemporary Painting, Jarvis and Constance DoctorowFamily Foundation
Museum of Contemporary Art, Los Angeles, CA.
Museum of Contemporary Art, Chicago, IL.
Creative Artists Agency, Los Angeles, CA.
Van Abbemuseum, Eindhoven, Netherlands.